Bibliography

Project Publications:

Informe Tito Bustillo 2013

Tito Bustillo Report

 

Please add bibliographic references here, leaving them as comments. Please use the same format as the references below.

Alcolea González, J. J. and de Balbín Behrmann, R.  2007  C14 et style La chronologie de l’art pariétal à l’heure actuelle. L’anthropologie 111,  435–466.

Aldridge, David and Jorg Fachner, 2006. Music and Altered States: Consciousness, transcendence, therapy and addictions. London and Philadelphia: Jessica Kingsley.

Attali, Jacques, 1999. The Labyrinth in Culture and Society. Berkeley: North Atlantic Books.

Barrie, T., 1996. Spiritual Path, Sacred Place: Myth, Ritual, and Meaning in Architecture. Boston: Shambhala Publications, Inc.

Bell, C., 1997. Ritual: Perspectives and Dimensions. NY: Oxford University Press. pp. 138-169.

Blesser, Barry and Linda-Ruth Salter, 2007. Spaces Speak, Are You Listening? experiencing aural architecture. Cambridge, MA: Massachusetts Institute of Technology.

Buisson, D. 1990 Les flûtes paléolithiques d’Isturitz (Pyrénées-Atlantiques). Bulletin de la Société préhistorique française 87:10-12, 420-433.  Available at http://www.persee.fr/web/revues/home/prescript/article/bspf_0249-7638_1990_hos_87_10_9925

Conard, N. J., Malina, M. and Münzel, S. C. 2009 New Flutes Document the Earliest Musical Tradition in Southwestern Germany, Nature 460, 737 – 740. Available at http://www.geo.uni-tuebingen.de/fileadmin/website/arbeitsbereich/ufg/urgeschichte_quartaeroekologie/publikationen/Conard_Malina_M__nzel_Flutes_Nature_2009.pdf

Cross, I. and Morley, I. 2008 The evolution of music: theories, definitions and the nature of the evidence. In Malloch, S. and Trevarthen, C. (eds), Communicative musicality, Oxford: Oxford University Press, 61-82.

Dams, L. 1984 Preliminary findings at the ‘Organ’ sanctuary in the cave of Nerja, Malaga, Spain. Oxford Journal of Archaeology 3: 1, 1-14.

Dams, L. 1985 Palaeolithic lithophones: descriptions and comparisons. Oxford Journal of Archaeology 4:1, 31-46.

Dauvois, M., 1989. Son et musique paléolithiques. Les Dossiers d’Archéologie No 142: La Musique dans l’Antiquité. 2-11.

Dauvois, Michel. 1994. Caractérisation acoustique des grottes ornées paléolithiques et de leurs lithophones naturels. Ministère de la Culture, Direction de la Musique et de la Danse, Maison des sciences de l’Homme.

Dauvois, Michel. 1994. Le temoins sonores paléolithiques exterieur & souterrain.Colloque de Musicologie , vol. 61: Etudes Recherches Archéologiques de L’Université de Liège.

Dauvois, M., Benoit, F.  1999. Les instruments à vent paléolithiques. Parigi, Societe Francaise d’Acoustique.

Dauvois, Michel. 1999. Mesures acoustiques et témoins sonores osseux paléolithiques. Préstoire d’os, recuel d’études sur l’industrie osseuse préhistorique offert à Henriette Camps – Fabrer, Provenza, Publication de l’Université de Provence: 165-189.

Dauvois, Michel, 2005. Homo musicus palaeolithicus et Palaeoacustica, Munibe. Antropologia-arkeologia 57: 225-241. Available at http://www.euskomedia.org/PDFAnlt/munibe/aa/200503225241.pdf

Dauvois, Michel, and Jean Vezian, 1984. Grotte du Portel. L’Art des Cavernes. Atlas des grottes ornées paléolithiques françaises: 381-388.

Dauvois, Michel, Xavier Boutillon, Benoit Fabre et Marc-Pierre Verge, 1998. Son et musique au paléolithique, Pour la science, 253: 52-58. Extracts available at http://c.coupin.free.fr/journaux/musique.html

Dauvois, Michel, Xavier Boutillon, 1994. Caractérisation acoustique des grottes ornées paléolitiques et de leurs lithophones naturels / Acoustical characterizing of orned palaeolithic caves and their natural lithophones. Saint-Germain-en-Laye, Centre Francais d’archeologie musicale: 209-251.

Dauvois, Michel, 1999. Mesures acoustiques et témoins sonores osseux paléolithiques: 165-189. Available at: http://cat.inist.fr/?aModele=afficheN&cpsidt=1568011

D’Errico, Francesco, Christopher Henshilwood, Graeme Lawson, Marian Vanhaeren, Anne-Marie Tillier, Marie Soressi, Frederique Bresson, Bruno Maureille, April Nowell, Joseba Lakarra, Lucinda Backwell, and Michele Julien, 2003. Archaeological Evidence for the Emergence of Language, Symbolism , and Music-An Alternative Multidisciplinary Perspective, Journal of World Prehistory, 17/1: 1-70.

Eliade, M., 1964. Shamanism: archaic techniques of ecstasy. New York: Pantheon Books. Originally published as Le Chamanisme et les techniques archaïques de l’extase. Paris: Librairie Payot, 1951.

Fagan, B., 1998. From Black Land to Fifth Sun: The Science of Sacred Sites. Reading, MA: p. 23.

Fazenda, B., M. and Drumm, I. 2013 Recreating the sound of Stonehenge. Acta Acustica united with Acustica 99:1, 110-117.

Fazenda, B.M. 2013 The acoustics of Stonehenge. Acoustics Bulletin 38:1, 32-37.

Freeman, W. 2001 A Neurobiological Role of Music in Social Bonding. In Wallin, N. L., Merker, B. and Brown, S. (eds) The Origins of Music. Cambridge, MA: MIT Press, 411-424.

González Sainz, C. 2007 Dating Magdalenian art in North Spain: the current situation. In Pettitt, P., Bahn, P. and Ripoll, S. (eds), 2007. Palaeolithic Cave Art at Creswell Crags in Europaean. Oxford: Oxford University Press, 247-262.

Lewis Williams, Davis, and David Pearce, 2005. Inside the Neolithic Mind. London: Thames and Hudson.

Mithen, Steven, 1996. The Prehistory of the Mind: A search for the origins of art, religion and science. London: Thames and Hudson.

Mithen, Steve, 2005. The Singing Neanderthal. London: Weidenfeld and Nicolson.

Montelle, Yann-Pierre, XXXX. Paleoperformance: Investigating the Human Use of Caves in the Upper Paleolithic. New Perspectives on Prehistoric Art. Gunter Berghaus (ed), 131-53.

Morley, I. 2013 The Prehistory of Music. Human Evolution, Archaeology, and the Origins of Musicality.  Oxford: Oxford University Press.

Moure, A., González Sainz, C., Bernaldo de Quirós, F. and Cabrera Valdés, V. 1996. Dataciones absolutas de pigmentos en cuevas cantábricas: Altamira, El Castillo, Chimeneas y Las Monedas. Moure, A. (ed.) “El Hombre fósil” 80 años después. Santander:Universidad de Cantabria, 295-324.

Ochoa Fraile, B. 2011 La datación absoluta del arte rupestre cantábrico: estado de la cuestión y valoración crítica. Estudios de Cuaternario 1, 133-150.

Pettitt, P. and Pike, A. 2007 Dating European Palaeolithic Cave Art: Progress, Prospects, Problems. Journal of Archaeological Method and Theory, 14:1, 27-47.

Pike, A. W. G., Hoffmann, D. L., García-Diez, M., Pettitt, P. B., Alcolea, J., De Balbín, R., González-Sainz, C., de las Heras, C., Lasheras, J. A., Montes, R. and Zilhão, J. 2012 U-Series Dating of Paleolithic Art in 11 Caves in Spain.   Science 15:336/6087, 1409-1413.

Reznikoff, I., 2006. The evidence of the use of sound resonance from Palaeolithic to Medieval times, in Archaeoacoustics, eds. C. Scarre & G. Lawson. Cambridge: McDonald Institute for Archaeological Research, 77-84.

Reznikoff, I. and Dauvois, M., 1988. La dimension sonore des grottes ornees, Bulletin de la Soc. Prehist. Francaise, vol. 85., no. 8, pp. 238-46. Available at: http://www.persee.fr/web/revues/home/prescript/article/bspf_0249-7638_1988_num_85_8_9349

Rouget, Gilbert, 1985. Music and Trance. Chicago: University of Chicago Press.

Scarre, C., 1989. Painting by resonance. Nature 338, 382.

Scarre, C. and Lawson G. (Eds), 2007. Archaeoacoustics. Cambridge, McDonald Institute for Archaeological Research.

Stix, G., 2008. Traces of a Distant Past. Scientific American, July. pp. 56-63.

Than, K., 2008. Stone Age Art Caves May Have Been Concert Halls. National Geographic NewsJuly 2. Retrieved August 20, 2008, from http://news.nationalgeographic.com/news/2008/07/080702-cave-paintings.html.

Waller, S. J., 2006. Intentionality of rock-art placement deduced from acoustical measurements and echo myths, in Archaeoacoustics, eds. C. Scarre & G. Lawson. Cambridge: McDonald Institute for Archaeological Research, 31-9.

Wallin, N., B. Merker & S. Brown (eds.), 2000. The Origins of Music, Cambridge, MA: MIT Press.

Wingerson, L., 2008. Rock Music: Remixing the Sounds of the Stone Age. Archaeology. September-October. pp. 46-50.

Wyatt, S. 2012 Sound Production in Early Aerophones. In Eichmann, R., Hickmann, E. and Koch, L-C. (eds) Studien zur Musikarchäologie VIII. Orient-Archäologie. Verlag Marie Leidorf HmbH: Rahden Westfalen.

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